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Posted by: Guest Author on April 10, 2012 at 12:52 pm

Community Food Resiliency:
Envisioning Our Food System in 2040

Guest Authors: Shelby Tay & Jay Penner

Over a hundred people gathered at the Museum of Vancouver on a Tuesday night in February for the follow up event "From Here to There (Part Two): Food, Energy and Transitioning to Community Resilience." At the launch event in December, over a hundred gathered in the same place to start a visioning process around what a just, sustainable, resilient food system might look like in 2040. Both events were collaboratively organized by the Museum of Vancouver, members of Village Vancouver (VV) and the Vancouver Food Policy Council, and was convened at MOV. The night began with a freshly cooked spread of soup, breads and roasted root vegetables and the room quieted to listen to Senaqwila Wyss, 17, of Skwxwu7mesh, Sto:Lo, Tsimsian, Hawaiian, and Swiss heritage (and food security queen in her own right!) who shared a beautiful Musqueam song, acknowledging the unceded First Nations’ land on which the gathering took place.

How did we get here?

Herb Barbolet began the panel presentations drawing from his 30 years of experience engaging in issues relating to the food system. Herb talked about his experience with projects relating to organic food production, cooperative restaurants, collective living, to founding Farm Folk City Folk and Community Supported Agriculture initiatives. It became clear to him early on that people were becoming more and more disconnected with their food and that education was needed – addressing issues of health, social justice, equity – and exploring alternatives to globalization and corrupt capitalism.

Herb explained that since the end of WWII we have seen our agricultural system fundamentally transformed -”industrialized and chemicalized”. Chemically contaminated food systems have been divided into two food systems based on wealth. Herb noted another fundamental change was that the definition of poverty shifted from a “...lack of land to a lack of income” with sustenance farming no longer seen as a viable option. “Wars over oil are also wars over food... the mainstream global food system is not as it appears to us here.” 

“What kind of diet must we have? How can we sustain our populations? How do we rebuild the commons – networks of mutual aid and respect? What was food about before government and corporations?” Herb suggested we need better questions for more sophisticated answers and we need to re-frame what we do and how we think. “A loss of the commons means loss of freedom, personal accountability and responsibility and we must regain control over these parts of our lives.” Despite the challenges ahead, Herb emphasized that there are many inspiring examples of what our future could look like right here in the city, including the forthcoming New City Market food hub, and that each has a role to play in reshaping our food system. “Urban agriculture mobilizes community and breaks down fear, recreating a collective vision and engaging youth.” 

Making food systems resilient

The next speaker of the night, Lena Soots, spoke to the group about creating resilient communities.  Lena has been involved with the Transition Towns Network for several years and works with communities on addressing issues of energy uncertainty, climate change and community mobilization. As a trainer, Lena has introduced communities to the concept of an EDAP, or Energy Descent Action Plan, a model that was pioneered by Rob Hopkins and his students in Kinsale, Ireland and later in Totnes, England and several communities worldwide -- the focus of the night being unique in developing an Energy Descent Action Plan with a focus on food, or FED-AP. “The Transition approach has a fun and experimenting spirit in a serious context...what we’re doing now has never been done before.”

“The term resilience,” Lena explained, “is the ability of a system (person, community, ecosystem) to absorb shocks, stresses and changes while maintaining its essential function. Keeping in mind that the system may change while still maintaining its essential function”.  She cautioned the room about the term and it’s over-use, noting “it often gets thrown around - like ‘sustainability’.” 

Lena discussed three important characteristics of resilient systems; diversity, modularity and feedback, relating each back to food systems. Diversity is the spectrum of activities needed to maintain the central function and depth within each component.  Modularity refers to the interconnectedness of a system but not connected to everything directly so that if one part of the system experiences issues, the system can still function and the entire system does not collapse. Feedback is about communicating the health of the system allowing for a fast enough response to crisis. “Decisions must be made a the lowest level possible - where people are most affected.”

Lena also emphasized the need to look to indicators for resilience - many of which have already become the focus of research; diversified leadership, community member involvement, optimism about the future, mutual assistance and cooperation, and the percentile of people with food production skills. These indicators can help us bridge our past and present with our future and how it relates to the bigger picture.

She finished by suggesting a shift in the language of our narratives, “Resilience isn’t a point that we want to get to – we are already resilient...Lets start telling the story of resilience in Vancouver: How Vancouver feeds itself.

Rural connections

Following the opening presentations by Herb and Lena, Hannah Whitman shifted the discussion to the role of the rural and its connection to urban food systems. She provided an example of the International Peasant Movement, La Via Campesina, a project founded in 1993 involving 150 organizations from 70 countries, representing about 200 million farmers.  Farmers must have a place in local food systems and Hannah argued for a more local focus on diet, local suppliers and institutionalizing relationships through local government.

“Food security means getting food from somewhere but it doesn’t address the autonomy of consumers and producers, where food is coming from, who benefits and under who’s interests and for what purpose?” She explained that what is needed is not food security, but food sovereignty, as well as “frameworks with diverse actions in diverse communities that facilitate choice.”  She ended by providing some examples of food sovereignty campaigns and the various issues they aim to address, including; keeping agriculture out of the WTO; ending violence against women – with women producing more than half the food in rural regions (globally); and peasant rights such as land access and food producing rights.

It started with drop-in spaghetti nights

Ross Moster, founder of Village Vancouver Transition Society, spoke of a need for groups to work together.  “[The] challenges are so enormous that we really need to work together," with VV approaching many different groups to rise to the task of  community-based, local responses to the challenges of creating resilient food systems.

Before founding Village Vancouver, Ross and his partner decided to get to know their neighbours and invited them over for a big pot of spaghetti. They did it to have fun, and realized two days later that what had happened was that rather than everyone cooking in their own homes, they had collectively lowered their carbon footprint and without even thinking about it had become more resilient. Today, Village Vancouver engages in a variety of projects from seed libraries, to neighbourhood food networks to skill-sharing workshops across the city. It all starts with the suggestion, “Get to know your neighbours and see what happens.”

Moving into action

Brent Mansfield, co-chair of the Vancouver Food Policy Council, led a general discussion, getting people to pair up and talk about “what brought you here? What drives us toward a different future?” Brent sees that while 2040 targets are arbitrary, we need to focus on what has to be different and what do we want to be different -- that this process is not just about individual change but how can we re-envision our communities, families, cities and beyond.  These solutions can only be achieved together.

Closing discussion returned the group to thinking about Vancouver communities with one panelist asking the group “What does our FED-AP look like? What does a resilient Vancouver look like?” Transition is not a spectator sport and FED-AP is on the verge of creating working groups and engaging as many as possible.

All of the presenters reinforced the idea that bringing about change to the food system is as much about visioning and storytelling as it is about planning. As the evening winded down, people made their way up to the front of the room to drop their names into paper bags, each marked with the topic of a working group. Participants were invited to join a group of interest for future discussions around various topics to start looking at the next steps from here, building the momentum to weave together relationships, vision, projects, stories of what will become the FED-AP, a collaborative community-based food resiliency plan.

To get involved in a working group, contact Ross Moster by writing an email to ross [at] villagevancouver.ca or through Hanna Cho at the Museum of Vancouver, hcho [at] museumofvancouver.ca

See more photos from the event here.
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Jay Penner is a graduate student at the University of British Columbia specializing in adult education and a researcher with CityStudio. His interests are in the area of experiential and real-world learning, collaborative learning, environmental education and program planning.

Shelby Tay is a member of Village Vancouver and the Vancouver Food Policy Council and has worked with the Transition Towns movement for several years exploring how we create spaces that foster agency, connection, sense of place and stewardship.

Posted by: Zaena Campbell on April 9, 2012 at 12:00 am

It’s Museum Monday!  This week we’re celebrating the historic art deco landmark which connects Kitsilano (and the MOV) to the heart of Vancouver’s downtown: the Burrard Street Bridge.

The Burrard Bridge opened ‘with a snip of golden scissors’ on Canada Day, July 1, 1932. The MOV has several items which capture this opening day, including theBurrard Bridge Rose Bowl presented to assistant City Engineer William Brand Young in 1932. No pictures are posted yet, but you can just imagine its shining splendor: Victorian, silver plate, decorated with an ornate fruit and vine border and finely engraved with “Souvenir of the Opening of the Burrard Bridge July 1st 1932”.

I love this photo from the Vancouver Archives, which seems to capture the excitement of the day – a gathering throng out to test the new bridge and parade their Sunday best. Gentlemen in suits, caps, and fedoras; Ladies in frocks and cloche hats; Couples arm in arm; A lad on his bike…perhaps one of the first cyclist to cross?
 
Head engineer John R. Grant and Architect George Lister Thornton Sharp designed the bridge so that boats could get through safely while cars passed overhead. Preserving an unobstructed view was another key concern. According to the Burrard Bridge Heritage Study (Donald Luxton, 2001), the handrails were structured so that vehicles driving between 40 and 64 kilometers an hour could still enjoy the beautiful bay thanks to a “stroboscopic” visual effect.

The decorative bridge towers have inspired speculation and urban myth over the years. Is there a hidden gallery or office space up there in the middle of the bridge? What about the mysterious spaces arching in between the towers and those small windows peering onto the traffic below? It’s tempting to imagine…but apparently nothing much is going on there. In fact, it’s an elegant way to conceal some necessary steel support structures.

Photo by cmh2315fl on Flickr

Those special art deco details on the surface do have a story to tell. The boats jutting out at each side are crowned with the busts of Captain George Vancouver and Sir Harry Burrard. The large pylons at each entrance emulate a flaming torch. Bridge engineer John Grant designed these torches as a tribute to Canadian prisoners of war (from World War I), imagining them huddled around open fires in their prison camps.

Thanks to an avid Vancouver collector (Doreen Margaret “Peggy” Imredy), MOV hosts a fascinating assortment of over 3,500 pieces relating to Stanley Park. This extensive collection includes post card views of the Burrard Bridge from 1932, 1978, and 1999. By comparing these images, you can see how our natural and urban landscapes have changed. It’s also striking to see how camera technology and visual taste trends have changed. Today you can catch an almost live view of bridge and sea (updated every 5 minutes) on the Katcam.

Follow the Bright Burrard Banners to MOV! If you’re a Kits commuter, you’ll notice new MOV street banners decorating your route from the Burrard Bridge south to Broadway. Why not take a refreshing pause and follow that trail to the MOV? We’re in the distinctive ‘building that looks like a spaceship / Haida hat’ [find it in the images to the right] with the famous crab fountain out front.

We’re also right in the midst of beautiful Vanier Park, so you can make a day of it… Fly a kite, plan a picnic or just enjoy the city views and sea breeze. Then pop into MOV for a fun event or peruse our Art Deco Chic exhibition and see if you can appreciate the stunning links between art deco fashion and architecture.
 

Posted by: Gala Milne on April 4, 2012 at 8:43 pm

The quest for truth is always on our heels, and as many of us head into Easter, this week is no different. In true Vancouver fashion, “chicken classes for urban farmers”, aims to teach us which barnyard animal truly lays the Easter eggs around here. On the other side of the proverbial fence, Vancouver is just shy of joining the ranks of online cities using techno-power to engage tourists and citizens. Interestingly, however, green-thumbed gardeners are using their ithumbs to connect garden-to-garden. Now if only there was an app to actually garden the garden…

Local robot-lover and handsome musician Dan Mangan has walked away with two Juno awards including best new artist. Luckily, the witty folks at CBC Music provide some helpful tips on how to win a Juno. At MOV, we wonder all these years later, whether or not it was the hard work and enthusiasm of folks like Red Robinson who led the way for Vancouver’s thriving musical-talent base. In recognition, Happy Birthday Red Robinson!

In contrast, in Northern BC young people are adamantly opposing the Enbridge Pipeline project by declaring a hunger strike. Check out this video on the Tyee’s website http://thetyee.ca/Video/ for more information. In tying together ideas of political willpower and video production, a video contest is asking participants to pontificate on how parliament would look with a 75% female cast (rather than the current 75% male representation). Good question - particularly as we hear the news that CBC is being forced to cut 650 jobs in the next three years.

At the MOVeum: MOV Youth Council begins this week! Congratulations to the participants. We look forward to meeting you.

Additionally, Ivan Sayer’s Curator’s Talk and Tour is this Thursday April 5, 2012 is SOLD OUT. Next opportunity is June 7 - book early! Or, at our MOV AGM, which is for MEMBERS only, and May 30

Posted by: Viviane Gosselin on April 3, 2012 at 4:17 pm

I just had an excellent meeting with Daphne Spencer from the Division of STI/HIV Prevention + Control at the BC Centre for Disease Control (CDCofBC). Talked for 2 hours non-stop. She welcomed our idea of having an exhibition zone dedicated to sexual pleasure and giggled when I talked about our research on vintage vibrators! Great potential for collaboration. Amazingly helpful with connecting us with knowledge/community experts. I think she’ll be able to lend us the costume of Captain Condom for the exhibition! She introduced me to the work of Chee Mamuk and educator Sarah Callahan. I’m so impressed with their aboriginal youth video program Youth Have The Power. Super Inspiring. I'm not surprised to see that Hello Cool World is involved!

Join in the conversation on Twitter: @xtalkinthecity #xtalkMOV

Posted by: Zaena Campbell on April 2, 2012 at 11:13 am

art deco evening gown with trojan soldiersApril Fools!  Do you know the Tale of the Trojan Horse?  It has been said that this ruse ended an epic war. Legend has it that the Greeks were able to gain entry to the city of Troy by hiding their best soldiers in a giant wooden horse — offered as a ‘gift’ to their unsuspecting rivals. 

In the spirit of one of history’s biggest ‘April Fools’ pranks, our Museum Monday feature for this week is a glamorous evening gown circa 1938 (also now on display in our Art Deco Chic exhibition).  This red silk and gold lamé dress is tailored to accentuate curves and adorned with Trojan soldiers and chariots.  I wonder about the woman who might have worn this. Was she one of those ‘modern women’ of the 1930s era — an emerging presence in the workforce perhaps?   Did she take inspiration from famous starlets, and disarm every gaze as she entered a room?  I’m not sure, but this is a pretty confident ‘power suit’ of a gown.

Come see this beautiful gown for yourself during this Thursday’s Talk & Tour with Ivan Sayers (April 5 - limited space, so please RSVP or purchase your tickets ahead of time).  Fashionistas and design aficionados will enjoy this unique opportunity to delve into vintage garment construction techniques.

If you’re an emerging fashion designer, we also encourage you to enter the Art Deco Chic Design Challenge!  Deco is a delicious inspiration and it’s hot all over again on the runways for 2012. Winning Vancouver originals will be showcased by MOV in September.

Posted by: Gala Milne on March 28, 2012 at 12:30 pm

The budding of the cherry blossoms meets the end of another fiscal year, and the conjunction of these two signifies a more familiar type of change than we’ve been acclimatized to over the past little while. Scandalous elections and nature’s renewal!

He’s no Jack, but the NDP has spoken with their election of Tom Mulcair as federal party leader. This decision has some wondering whether or not the idea of “cooperation” among opposition parties is still possible, while others speculate on the technologically-enabled “disruption” to the online voting system used in the election.

With all this electoral scandal, and robocalling, and so much of our identity and faith being put into advanced technology, one has to wonder if we can’t just learn to love and accept robots for who they are…

Vancouverites everywhere are rejoicing in the large sums of their fare-evasion tickets. News broke this week that apparently, you may never be held accountable for your $173 ticket. Almost makes you want to catch a train and have a friendly chat with a stranger, doesn’t it?

Lastly, Bill McKibben and Naomi Klein joined a room of hundreds at the Canadian Centre for Policy Alternative’s annual Gala this week. The pair spoke with care and urgency on the state of our natural environment just as the CCPA releases their Annual Alternative Fiscal Budget, to tie up this post. It’s enough to make one want to spraypaint moss grafitti onto the nearest concrete jungle wall.

At the MOVeum: Veda Hille Sings Songs of the False Creek Flats this Friday night!

Posted by: Gala Milne on March 20, 2012 at 4:48 pm

Greeting, MOVers. Just as Canada’s West produced harrowing hail while the East saw seducing sun this week, Vancouver’s sightlines are equally diverse. Caught between the closing of little YVR gems like The Book Warehouse and the growing movement of BC schools to offshore destinations, one is left to wonder about values and priorities when it comes to staying in the city.  Did you know 300 BC certified teachers are employed in 29 BC offshore schools?

Should I stay or should I go? Your local radio program, On the Coast, is hosting a series of conversations on housing affordability as conversations out east say the next federal budget should stretch its long arm of policy reform to put the rental housing market “on solid ground”.

This way to Grandma’s… Of particular interest to MOVers is where this stay/go dilemma intersects with visual history and our built city. Recently Vancouver knocked down an old building to reveal a new (old) ghost sign for Grandma’s Boy.
Should it be saved? Maybe this is a question for Vancouver’s museum professionals. If you’re interested in what Museum educators have to say, you might be interested in the upcoming un-conference, Then/Hier.

Cut a Rug. Or… some other fine fabric… As you may know there’s a fashion design challenge happening at the MOV around our new exhibit, Art Deco Chic. In tune, this article explores the question, Can historic garments be used for contemporary fashion? In small-business response, the owner of Musette Bicycle Café thinks so. This Italian-vintage-cycling-attire-inspired café recently opened off Hornby bike route and we think it pulls off the contemporary-glam thing quite well.

In other worldly affairs, the LA Times is examining the ups and downs of Vancouver’s Climate Action Plan, 5 years post instatement. And for those of us interested in the goods behind the Canadian Economy, a free dialogue is being held at SFU Woodwards Wednesday night.

At the MOVeum: Veda Hille @MOV Songs of False Creek Flats

& Big thanks to everyone who came out to Mini MakerFaire Fundraiser last week! Here are some photos.   

[Photo care of http://trextrying.tumblr.com/ ]

Posted by: Zaena Campbell on March 19, 2012 at 4:38 pm

Commodore Ballroom flapper dressWith so many folks lined up for a 'night on the town' this Patty's Day weekend, I thought it was time to highlight a party dress! Worn to opening of the Commodore Cabaret (now Ballroom) in 1929, this twinkling 'little black dress' marks the birth of a legendary Vancouver venue.

One look at the ornate intricacy of the frock, and I’m sure the opening must have been an exciting and much anticipated evening! The sides are elaborately embroidered with an undulating line of flower, berry, and tendril patterns. From waist to hip, vertical lines of sequins drip with layers of beaded fringe tailor made for movement. Falling about knee length, with bare arms, and a deep V, this 'saucy little number' was on trend with the more daring flapper style. Indeed, this classic Art Deco design seems custom cut for a fun night of dancing with legendary big bands and a deluxe dance floor.

As musician Dal Richards remembers, the Commodore was advertised as having "the biggest dance floor in Canada, and the only sprung floor – a floor designed with embedded horse hair to 'put spring in every dancer’s step'. Though the old floor has since been replaced, a piece of the original preserved for posterity in the MOV’s collection (photo still to come).

According to one Georgia Straight Article, the Commodore's bright and hopeful opening was quickly followed by a rough patch.

"... Designed and built at the height of North America's fascination with art deco, the room opened in December 1929. Four months later, the stock market crashed, the Dirty Thirties were officially under way, and the Commodore was one of the city's first high-profile casualties. What was supposed to have lured customers away from the Hotel Vancouver and its booming ballroom business ended up sitting dark for half a year. In November 1930, local nightclub pioneers Nick Kogas and Johnny Dillias became convinced they could make a go of it, reopening the club and officially beginning its run as a live venue with dinner and dancing every Saturday. Over the next seven decades management of the Commodore periodically changed hands, but the venue's ability to draw top talent remained the same. The list of acts that have graced the room's stage over the years is truly staggering..."

In the Big Band days, international legends like Sammy Davis Junior, Count Basie, Cab Calloway, Duke Ellington and Tommy Dorsey played the commodore. Local jazz aficionado Dave Dixon notes that the Commodore was also home for local swing legends, including groups led by Bob Lyon, Ole Olson, and, later, Fraser MacPherson, Dave Robbins, and Bobby Hales.

The fabulous Commodore Ballroom has survived and thrived through decades, becoming an important part of our cultural character. In 2011, Billboard Magazine even selected the Commodore as one of North America’s 10 most influential clubs. Placed in the company of legendary venues like New York’s Bowery Ballroom and San Francisco’s Fillmore, the Commodore was the only club in Canada to make the list for being “influential, a career building block or just plain cool.”  Yes, Vancouver . . . it's true: We’re just plain cool. 

Posted by: Zaena Campbell on March 12, 2012 at 2:02 pm

It’s Museum Monday! Have you ever looked down a bustling street and wondered what sort of shops lived there years before? Have you discovered a great local fashion designer…a Vancouver original, who could proudly represent our signature style 80-100 years ago or years from now?

In celebration of Vancouver fashion, this week we’re shining a spotlight on this cute and sporty navy polka dot dress –a darling example of local Art Deco Chic straight out of the MOV Collection. Typical of the1920s era silhouette, the garment fits loosely, with a bias cut and a drop waist. It has me picturing a vintage Vogue Magazine Illustration…A sporty young gal at the beach with a sunny cloche and a butter silk scarf blowing in the breeze…Maybe calling out “Tennis anyone?” Cut from a sheer cotton toile, this airy frock might have been paired with a slip. In fact, it was most likely a manufacturer’s sample and never worn...A lucky find for Vancouver textile historians? It seems so!

Made by the Aurora Dress Company of Vancouver around 1927, this ‘sweet little number’ is a sampling from Vancouver’s own Art Deco era garment industry. The “Aurora Silk Company” was established in 1923 by Ken V. Lopatecki at 318 Homer Street. By 1930, the shop became known as the “Aurora Dress & Silk Company” and moved to a new suite in the same building. The last listing for the shop in the city directories was in 1933. Sadly, the company went out of business during the depression (as part of the falling stock for ‘Rand's Dry Goods’). Through the mid to late 1930s, former Aurora Company founder, Lopatecki, continued on as a salesman for “Pacific Maid Dress”. By 1940, he became President of “Queen Bess Dress”. Affectionately nicknamed after Queen Elizabeth, “Queen Bess Dress” was located in the ever fashionable area of 3740 Main Street,

Some truly stunning haute couture creations are now on display in our “Art Deco Chic” exhibit. These ultra-deluxe threads offer instant delight. They seem to ‘wink at you from across the room’…Then quickly envelope you in all of their bold, sleek, sparkling beauty…Meanwhile, this relatively unassuming little polka dot shift reminds us of those extra ‘hidden treasures’ that await the most curious MOV visitors…More fascinating stories ready to unfurl!

To learn more about the ‘fables behind our fashions’, follow our MOVblog or join us for a Curator’s Talk and Tour!

Posted by: Amanda McCuaig on March 8, 2012 at 3:24 pm

We kicked off our newest special exhibition, Art Deco Chic, with an opening party last night. We welcomed about 500 people, including Members and special guests. Everyone came dressed to the nines and it was a fabulous time, with live music provided and a performance of the charleston by Rhythm City Productions.

After a short introduction to the exhibition by curators Ivan Sayers and Claus Jahnke, the MOV's Director of Development announced that we have upgraded our system to take contributions towards our textile collection. If you love what you see here, you can help us conserve the garments by donating [simply drop down in the donation section to choose "textile collection"].

And last but not least, we pulled back the curtain and let people take in the fabulous exhibition! Our photographers snapped some shots of the crowd and the fabulous outfits that were worn.

 

MOV's Executive Director, Nancy Noble, introduces co-curator Ivan Sayers.

Party guests enter the exhibition.

The "Desert Sand" accessory box has accessories inspired by the finding of King Tut's tomb

 

Gowns from the late 1930s make use of colour blocking and geometric cutouts.

 

 

Dancers from Rhythm City Productions perform the charleston for the crowd.

Art Deco Chic co-curators Claus Jahnke and Ivan Sayers smile as the wonderful evening comes to a close.

For images of all the wonderful outfits, visit our Flickr page!

If you're looking for an excuse to dress up again, or you missed out on the opening, there are three more opportunities to get your deco on before Art Deco Chic comes to a close!

  • High Tea @ MOV - Saturday, May 12, 2pm
  • Dapper & Flapper formal - Friday, June 8
  • Pop-up Speakeasy - August, date TBA

Keep an eye on our events calendar for details!

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