Kate Follington, MOV's Director of Development and Marketing shares some background about some recent repatriations at the museum:
At the end of a labyrinth of hallways in the Museum of Vancouver, behind two large double doors, 70,000 pieces of priceless heirlooms are hidden away. It's a breathtaking collection: historical wood carvings, First Nations masks, an entire wall of deer horns and moose heads, railway paraphernalia, and row upon row of carefully wrapped ball gowns. Sitting on shelves 100 feet deep and 10 feet high, the items have been carefully placed and numbered according to theme, ranging from textiles and gold mining, to gaudy neon signs like the Blue Eagle Café, just one of 55 signs in the neon collection.
Wandering past wide-eyed heads of elk, deer and caribou, there's an almost cinematic feel to the space. Vancouver's history, unfolding from aisle to aisle. But where did it all come from, who does it belong to, and who should own it now? Returning historical objects to their original communities -- a process known as repatriation -- is an arduous, expensive process for any museum, and not without controversy. But for the Museum of Vancouver (MOV), it represents a critical part of the growing role of museums in forging stronger cultural ties with First Nations communities around the globe, and it starts with a cloak.
Read the whole article at The Tyee.